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The films in this series attempt to eschew the usual trappings of sex work as portrayed in cinema especially narrative cinema by a adopting a neutral documentary-style approach, even as they all contain staged elements.
Each film is, to varying extents, a hybrid of the two forms. The filmmakers adopt a non-judgmental or sympathetic view of sex workers even as they may define sex work itself as a symptom of larger forces of inequality within patriarchy, capitalism or communism. Each film is the result of active collaboration with their subjects and, in some cases, their clients , and are predicated on an extraordinary level of access. While some of the films contain scenes of graphic sexuality, they are either neutral or aggressively anti-erotic, although the extent to which they may or may not be considered exploitative is a complex question which must ultimately be left to the viewer.
In Hungarian with English subtitles. In Thai with English subtitles. The film threads memoirs of her countryside childhood with the complicated reality of her urban life.
Cast as herself, year-old Sa is revealed to us through both documentary and fiction as she navigates both the city and the country, family and romance.
Both women will be stymied by the prejudices and hypocrisies of mostly male authorities. No judgements. A film about work. In Thailand, women wait for clients behind glass panes, staring at reflections of themselves. In Bangladesh, men go to a ghetto of love to satisfy their unfulfilled desires on indentured girls. And in Mexico, women pray to a female death to avoid facing their own reality.