Like the anxious men who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had bargained for — such as phallic-shaped lamps — historians of sex are regularly confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet many of the murals that survive depict the women as erotic and exotic.
Murals from brothels and buildings that served as brothels such as inns, lunch counters, and taverns show fair-skinned women, naked except for the occasional breast band , with stylized hair, in a variety of sexual positions with young, tanned, athletic men.
The figures sport on beds that are sometimes ornate and festooned with decorative quilts. In buildings identified as brothels, the murals may have been intended to arouse clients. They may also have functioned as pictorial menus or even served as instruction manuals for more inexperienced customers. In buildings identified as private residences, the scenes were most likely decorative but also designed, perhaps, for titillation.
Contrary to the idealized images, the brothels themselves provide evidence that the women worked in cells, usually only big enough for a narrow bed. The absence of windows in most attests to the darkness of the cells, as well as limited air flow. Excavations also suggest that the cells were usually without doors, which implies that the rooms may have been curtained.
They have also revealed stone beds. Wooden beds as well as pallets were likely also used, but would have perished in the eruption of Mount Vesuvius in AD An excavated brothel room in Pompeii.
