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A wave of doubt rolls through fiction writer Avigayl Sharp moments before she meets the page. I have no idea how something is going to come out of nothing! Her narrators seem to be in line to the bathroom without actually having to go. The stakes are high — even on a seemingly normal day. The novel follows a woman who, under mysterious circumstances, takes a job as a temporary replacement for an English teacher at an all-girls boarding school in a remote coastal tourist town. She becomes preoccupied with the life of one of her students, while parts of her own adolescence start to emerge.
She compulsively reveals stories from her past to her students as well as people she meets. Sharp says she did not think the novel would be set in a small town on the coast until she arrived in Provincetown. She is interested in characters who, haunted by their pasts, are failing to grow up. They are often confused as to whether they are the victim or the aggressor.
Her narrators struggle with self-control. They are bored people who have no sense of their own authority. They are wildly anxious — popping Xanax and eating roast beef. Their parents have had it with them. They are too smart for their own good and failing miserably at life. Her writing takes a contemporary and absurdist approach to the 19th-century Russian literary concept of the superfluous man.
Except that her characters are women — talented and capable but struggling to fit into social norms. She had a solitary childhood. Her mother came to the U.
Growing up, Sharp studied violin and piano. She sang seriously and loved choir. Sharp says her older sister is a jujitsu instructor and fact-checker who has worked for The New Yorker. Sharp has a B. Her thesis adviser at Michener was Elizabeth McCracken.