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I first encountered Rushian clashics five years ago, at a time when much less was being written about this issue than today. A colleague who taught Russian language and literature at the Arts Department of Comenius University once told me a bizarre anecdote about a student who, during an exam on the Russian classics, recounted a filthy story full of faecal humour and the most perverted obscenities, insisting arrogantly that it had been written by none other than Dostoevsky.
It is a place where customs officers frequently come across lorries that carry cheap, Chinese-made copies of branded clothes adidad, nikhe but this time instead of fake clothes or perfumes the lorries contained books. I will spare you the details. It is difficult to debate great existential questions with people brought up on such cheap imitations of the Russian classics or β as journalists have recently dubbed it, Rushian clashics β since, even though at first sight Rushian clashics may be reminiscent of Dostoevsky, Tolstoy or Turgenev in terms of their themes, their value diminishes after a second reading.
A few months after the discovery of the lorryful of fake Russian classics a friend who works for an NGO drew my attention to the inhuman conditions in which these fake classics are written.
Authors who make their living by faking Russian classics allegedly participate in regular creative camps in remote parts of north-east China. First reports from these camps emerged early last year after an Amnesty International researcher had spent some time in one of these places, pretending to be an emeritus professor of Russian literature specialising in Goncharov.
People invited to these camps are mostly retired literature professors, preferably epileptics, who are forced to drink litres of vodka, set up anarchist cells, and argue about the existence of God in order to get as close as possible to the conditions under which real Russian classics were written. They are forced to gamble away the laughable fees they receive in the local casino, a faithful replica of the one in Baden-Baden where F.