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It turns out that being a master visual stylist, like Leone, is a key factor in making the ridiculousness of these movies work. And it deals with the issue of racism that also helps to explain why Tarantino chose it as a template that, and he just likes to mash things up. Django centers on a mysterious gunslinger Django β in a Northern Union uniform β who drifts into a barren town after killing off a group of white Southern Confederates.
They had bern about to kill a prostitute who had befouled herself by sleeping with Mexicans, whom they had just killed before Django arrives. Once in town, with prostitute in tow, Django sets about killing the racists, and then ends up being betrayed by the Mexicans, who destroy his hands.
No one is good. Everyone is soiled. Even Django, who in the name of gold does some not-so-nice things. Franco Nero as Django is a nice discovery, with the charisma of Clint Eastwood and some very blue eyes, and Loredana Nusciak as Maria the prostitute makes for a lovely companion. Christopher Llewellyn Reed is a film critic, filmmaker, and educator.
In addition, he is one of the cohosts of The Fog of Truth , a podcast devoted to documentary cinema. View all posts by chrisreedfilm. This site uses Akismet to reduce spam. Learn how your comment data is processed.
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